Tag Archives: Grace Kelly

An Interview with Grace Kelly

23 Aug

This morning I had the opportunity to speak with 19-year-old jazz saxophonist Grace Kelly by phone. Grace has won numerous awards and released several albums already, as well as being a very talented vocalist, pianist and composer.

Grace will be coming to Seattle for the first time, performing at Tula’s for two nights as part of the Earshot Jazz Festival in November.

In this audio blog, Grace discusses how she went from being a clarinet player at 10 years old to having her first album recorded at age 12, being mentored and collaborating with the likes of Lee Konitz, Harry Connick Jr., Cedar Walton, and Wynton Marsalis, and being treated like a rock star in Montreal.

She also discusses her work and relationship with Phil Woods and being given his legendary hat, giving advice to young fans, and some surprises she has learned along the way.

CLICK HERE TO LISTEN TO THE INTERVIEW

“I still get butterflies when meeting the people who inspire me, and I think that is the way it is going to be for the rest of my life.”

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Emerging Artist: Grace Kelly

9 May

No, not that Grace Kelly.

grace kelly albumI’m torn to define saxophonist, singer, songwriter, composer, and arranger Grace Kelly as “emerging”, considering what she has already accomplished. But as Grace celebrates her 17th birthday next Friday (that’s right, she is just 16), one must assume that there is plenty of opportunity in years to come for this young lady to become a household name in jazz.

On his radio program Jazz After Hours this morning, host Jim Wilke suggested that “young” and “talented” can often go hand in hand, and that no one would argue that both can easily be applied to Grace Kelly. After hearing her wonderful recording of Comes Love, it was easy to agree. And, as her website boasts, I am far from the only person to agree.

Kelly, at age 16, has already performed or recorded with Wynton Marsalis, Dave Brubeck, Harry Connick, Jr., Diane Reeves, Phil Woods, Hank Jones, Kenny Barron, Russell Malone, Cedar Walton, Peter Bernstein, and Marian McPartland. That is the very short list. She has also performed at Carnegie Hall, Birdland, and Scullers (another short list), as well as a variety of jazz festivals. She has won numerous young musician and student musician awards, and was named Best Jazz Act in Boston in 2008 by the FNX/Phoenix Best Music Poll. Oh, and she began her first term at Berklee College of Music last fall, on a full ride, again at age 16.

When you hear Grace Kelly play, or listen to one of her arrangements or compositions, you realize that this isn’t one of those situations where a musician will get cut slack simply based on the fact that they are young. Kelly needs no slack to be cut for her, and the attention that she has received and will continue to receive is more than worthy. Her performances and compositions are frighteningly mature and well designed. In fact, the only way you are even aware that the player is a 16 year old is if you are told that.

What is more surprising is that Grace isn’t someone who had a sax shoved in her hands at age two. She, like many of us, took piano lessons as a young kid. She also followed the typical chronological time line that most kids do in school, not really playing the sax until she was ten. Two years later, she was impressing the likes of Ann Hampton Callaway and Victor Lewis.

I am not someone who throws around the word “prodigy”, but there is not much way to avoid associating that word with Grace Kelly. To imagine what she has accomplished in six years is hard enough to believe. To actually hear it is even more unbelievable.

Grace Kelly’s fifth album is now available, titled Mood Changes. Watch Grace play Setting The Bar with Russell Malone below.

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