Tag Archives: robin lloyd

HBO’s “Treme” kept music a centerpiece in Season 2

9 Jul

Season 2 of the HBO television series Treme just came to a close, and was renewed for a third season.

While one might say that an ongoing theme in Season 1 was immediate recovery and adjustment for the city of New Orleans immediately following Hurricane Katrina, and Season 2 examined issues with violence and corruption a year later, music remained a vibrant focal point throughout.

Far from simply offering an enjoyable soundtrack, Season 2 of Treme shows the overwhelming importance of music in New Orleans on a variety of levels. Keeping with the mission in the first season, Treme continues to use New Orleans musicians as reoccurring characters playing themselves, in venues they might normally be found, as well as great cameo appearances from jazz and folk superstars.

Season 2 featured musical highlights including scenes and performances by NOLA locals and non-locals, including Dr. John, Donald Harrison, Henry Butler, Kermit Ruffins, the Hot 8 Brass Band, Galactic, Dirty Dozen Brass Band, Dr. Lonnie Smith, Ron Carter, John Hiatt and Shawn Colvin.

Kermit Ruffins and the Barbecue Swingers

These performances and appearances were not only entertaining, but keep in stride with the attempts of the program to offer a certain element of “real”. Kermit Ruffins is regularly found leading groups in NOLA bars and clubs to packed crowds. Donald Harrison is recruited late in the season to perform on a record designed to mix modern jazz with the sounds of Mardi Gras Indians. As KPLU’s Robin Lloyd pointed out to me, this is very appropriate for Harrison. He is the Big Chief of the Congo Nation Afro-New Orleans Cultural Group which keeps alive the secret traditions of Congo Square, but has also spent a great deal of time being involved in everything from smooth jazz to hip-hop.

In the Season 2 finale, hope was offered after a tumultuous season, where Jazz Fest takes center stage, and the program closes out with an emotional montage set to the Louis Armstrong recording of Wrap Your Troubles in Dreams.

While the close of Season 2 suggests more optimism than the finale of Season 1 did, several elements of pain and struggle to come for the city of New Orleans in Season 3 are indicated. No doubt that it will be set to the wonderful sounds and music of a city that continues to struggle in recovery.

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HBO's "Treme" kept music a centerpiece in Season 2

9 Jul

Season 2 of the HBO television series Treme just came to a close, and was renewed for a third season.

While one might say that an ongoing theme in Season 1 was immediate recovery and adjustment for the city of New Orleans immediately following Hurricane Katrina, and Season 2 examined issues with violence and corruption a year later, music remained a vibrant focal point throughout.

Far from simply offering an enjoyable soundtrack, Season 2 of Treme shows the overwhelming importance of music in New Orleans on a variety of levels. Keeping with the mission in the first season, Treme continues to use New Orleans musicians as reoccurring characters playing themselves, in venues they might normally be found, as well as great cameo appearances from jazz and folk superstars.

Season 2 featured musical highlights including scenes and performances by NOLA locals and non-locals, including Dr. John, Donald Harrison, Henry Butler, Kermit Ruffins, the Hot 8 Brass Band, Galactic, Dirty Dozen Brass Band, Dr. Lonnie Smith, Ron Carter, John Hiatt and Shawn Colvin.

Kermit Ruffins and the Barbecue Swingers

These performances and appearances were not only entertaining, but keep in stride with the attempts of the program to offer a certain element of “real”. Kermit Ruffins is regularly found leading groups in NOLA bars and clubs to packed crowds. Donald Harrison is recruited late in the season to perform on a record designed to mix modern jazz with the sounds of Mardi Gras Indians. As KPLU’s Robin Lloyd pointed out to me, this is very appropriate for Harrison. He is the Big Chief of the Congo Nation Afro-New Orleans Cultural Group which keeps alive the secret traditions of Congo Square, but has also spent a great deal of time being involved in everything from smooth jazz to hip-hop.

In the Season 2 finale, hope was offered after a tumultuous season, where Jazz Fest takes center stage, and the program closes out with an emotional montage set to the Louis Armstrong recording of Wrap Your Troubles in Dreams.

While the close of Season 2 suggests more optimism than the finale of Season 1 did, several elements of pain and struggle to come for the city of New Orleans in Season 3 are indicated. No doubt that it will be set to the wonderful sounds and music of a city that continues to struggle in recovery.

The Jazz 100 (Part 3 – Thoughts from Robin Lloyd and Abe Beeson)

19 Feb

So now you’ve seen the list, and you’ve got some introductory analysis on the Jazz 100.

I felt that it was appropriate for the next step to be getting some thoughts from a fresh pair of eyes…and who better than two of the best in the business, KPLU’s Midday Jazz host Robin Lloyd and Evening Jazz host Abe Beeson?

Thoughts on The Jazz 100

By Robin Lloyd

Taking the list for what it is, entertainment content, a super-subjective popular-vote collection:  it’s not bad!

Do I have strong objections to anything on the list?

Yes: “What a Wonderful World” and “At Last”—neither of these say JAZZ to me, though they’re great in their own way.

Would I re-order the list?  Absolutely.  “Take Five” is wonderful, and it served as an introduction to jazz for an entire generation, but my preference would have something by Dizzy Gillespie in the #1 spot.

Would I object to sitting down and listening to this list in its current state?  No, not at all.

I see it like the growth rings in a tree trunk—it shows a cross-section of styles and eras of mainstream jazz.  The branches of the tree (avant-garde, fusion, etc) just aren’t, well, quintessential enough.

The Top 100 Quintessential Jazz Songs – Wrong Again.

By Abe Beeson

Have you ever sat down to make a list of the “best” of something? It sure is fun, but don’t expect anyone else to agree with you. “Best of” lists are always wrong. Music is just too personal, it touches people in different ways, and music carries baggage and memories that belong only to the one brain between those two ears. But despite the inherent incorrectness of such lists, they do wonders to spark passions and invite heated discussion – and what’s wrong with feeling passionate about music?

What I’ve found most interesting about KPLU/Jazz 24’s Top 100 Quintessential Jazz Songs list is the passion it has provoked in listeners and the comments they’re leaving at this website. It’s a jazz fan’s opportunity to show their passion, to explain why they love a particular song, maybe complain a bit about missing songs or artists (No Sarah Vaughan??) and to thrill at the obvious passion of fellow fans. Here are a few of my favorite posts:

“No one can question the trumpet or vocal marvels of Louis Armstrong, but come on, does this Holy List really need ‘What a Wonderful World’?”

“If you’ve never heard the song ‘Inside Straight’ by Cannonball Adderley, do yourself a favor. It’s probably the sweetest groove I’ve ever heard.”

“Unfair that the whole Kind of Blue album is there, while only the first track of A Love Supreme – which is supposed to be a suite, complete in itself and undivisible – is featured.”

“100 is not enough space for the TOP one hundred – maybe we need a bigger crowd.”

“This is not a list of the greatest jazz songs, this is a list of what people think are the greatest jazz recordings.”

Exactly. And for my part, you can see my picks for the Top 100 here: http://
groovenotes.org/2011/01/04/abe-beesons-top-100-jazz-songs/

Thanks again for your comments, and if you haven’t – show us your passion! Most of all, enjoy the list – even if your favorite isn’t here, there’s a lot of fun to be had in listening. And if I may… maybe the next list will be Top Jazz Artists of the 21st Century?

Tomorrow, I’ll do my best to respond to some of your questions and comments about the Jazz 100.

The Jazz 100 (Part 2 – An Audio Discussion with KPLU’s Kirsten Kendrick)

The Jazz 100 (Part 1 – The List)

Happy Thursday from Robin Lloyd

20 Jan

Here are some fun videos from KPLU’s Midday Jazz Host Robin Lloyd. Have a great Thursday, and be sure to tune in to and hear Robin today from noon-3 PST!

Otis Redding, Ray Vega and Thomas Marriott, and Steve Turre playing shells with Dizzy Gillespie’s United Nations Orchestra

Audio Blog: Jazz Perspectives with KPLU’s Weekday Jazz Hosts

16 Feb

KPLU’s four weekday jazz hosts, Dick Stein, Robin Lloyd, Abe Beeson, and myself, individually sat down and recorded thoughts on a variety of topics related to jazz.

With all of us coming from different backgrounds and upbringings, you will hear very different and interesting perspectives on topics ranging from what the first jazz we remember ever hearing, what music was playing when we were growing up, what how we got hooked on jazz, what live jazz performance blew our mind, what jazz musicians we think are doing great things today, and, if we could pick anyone to see play one song in concert, alive or dead, who would it be.

Enjoy the first Groove Notes Audio Blog by clicking here.

Watch Teddy Wilson, Benny Goodman, and Lionel Hampton play Moonglow, as picked by Dick Stein:

Watch Thelonious Monk play ‘Round Midnight, as picked by Abe Beeson:

Watch Michael Brecker, as picked by Kevin Kniestedt:

Watch Dizzy Gillespie play Manteca, as picked by Robin Lloyd:

Audio Blog: Jazz Perspectives with KPLU's Weekday Jazz Hosts

16 Feb

KPLU’s four weekday jazz hosts, Dick Stein, Robin Lloyd, Abe Beeson, and myself, individually sat down and recorded thoughts on a variety of topics related to jazz.

With all of us coming from different backgrounds and upbringings, you will hear very different and interesting perspectives on topics ranging from what the first jazz we remember ever hearing, what music was playing when we were growing up, what how we got hooked on jazz, what live jazz performance blew our mind, what jazz musicians we think are doing great things today, and, if we could pick anyone to see play one song in concert, alive or dead, who would it be.

Enjoy the first Groove Notes Audio Blog by clicking here.

Watch Teddy Wilson, Benny Goodman, and Lionel Hampton play Moonglow, as picked by Dick Stein:

Watch Thelonious Monk play ‘Round Midnight, as picked by Abe Beeson:

Watch Michael Brecker, as picked by Kevin Kniestedt:

Watch Dizzy Gillespie play Manteca, as picked by Robin Lloyd:

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